Biller portrayed the role of Selena in the world premiere of Dolores Claiborne with San Francisco Opera.

Biller as Adele in Die Fledermaus with Portland Opera Mica in Carly Simon’s Romulus Hunt with Nashville Opera, Marie in La fille du régiment with Arizona Opera and Costanza in Riccardo Primo with Opera Theater of St. Biller’s debut with the Louisiana Philharmonic for Mahler’s 2nd Symphony, her return to Arizona Opera as Rosalba in Florencia en el Amazonas, and debuts with Lyric Opera of Kansas City as Adina in L’elisir d’amore, Des Moines Metro Opera as Eurydice in Orphée et Eurydice, and the Knoxville Symphony Orchestra. The 2017-2018 season and beyond includes Norina in Don Pasquale with Minnesota Opera, Lieschen in Der Ring des Polykrates with The Dallas Opera, Nanetta in Falstaff with Opera Colorado, and her Austin Opera debut. Louis as Fraulein Burstner/Leni in The Trial by Philip Glass. Last season, she joined Beth Morrison Projects as the title role in Madame White Snake, San Diego Opera as Clorinda in La Cenerentola, Minnesota Opera as Kitty Packard in the world premiere of Dinner atĮight, and returned to Opera Theatre of St. Additional productions with San Francisco Opera include Der Ring des Nibelungen, Serse and Werther. While in San Francisco, she was seen as Frasquita in Carmen, Lolita in the world premiere of John Harbison’s Heart of a Soldier, Kristina in The Makropoulos Case and Madame Herz in Der Schauspieldirektor.

In recent seasons, she was a member of the prestigious Adler Fellowship Program with San Francisco Opera. Praised by the San Francisco Chronicle as an “artist ready for the big time”, soprano Susannah Biller was recently seen as Daisy in the San Francisco premiere of John Harbison’s The Great Gatsby with Ensemble Parallele.

San francisco opera don pasquale